Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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Aert de Gelder
Tamar and Judah
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ID: 70644

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Aert de Gelder Tamar and Judah


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Aert de Gelder

Dutch 1645-1727 Dutch painter and draughtsman. He was the son of a wealthy Dordrecht family and probably became a pupil of Samuel van Hoogstraten in 1660. Apparently on the advice of van Hoogstraten, de Gelder moved to Amsterdam and entered Rembrandt workshop, possibly c. 1661. It is commonly assumed that he stayed there about two years. He was Rembrandt last pupil. After completing his apprenticeship, de Gelder returned to Dordrecht, where he worked for the rest of his long career. Considering that de Gelder was active for more than half a century, his output of just over 100 paintings seems low, probably because he was financially independent. Of those paintings accepted as by him, only 22 are dated, creating considerable problems in establishing a chronology.   Related Paintings of Aert de Gelder :. | Junger Mann | Esther and Mordechai writing the second letter of Purim | Selbstbildnis als Zeuxis | Die Judenbraut | Judith and Holofernes |
Related Artists:
Cornelis Saftleven
(c. 1607, Gorinchem - 1 June 1681, Rotterdam) was a Dutch Golden Age painter He was born into a family of artists, and learned to paint from his father Herman, along with his brothers Abraham and Herman Saftleven the Younger. He lived for a time in Utrecht with his brother. Saftleven's subject matter covered various subjects, including genre works, portraits, beach scenes, and biblical and mythological themes. Some consider his images of Hell to be his most individual contribution to Dutch painting
BONE, Henry
British, 1755-1834,Cornish enamel painter, was born at Truro. He was much employed by London jewellers for small designs in enamel, before his merits as an artist were well known to the public. In 1800 the beauty of his pieces attracted the notice of the Royal Academy, of which he was then admitted as an associate; in 1811 he was made an academician. Up to 1831 he executed many beautiful miniature pieces of much larger size than had been attempted before in England; among these his eighty-five portraits of the time of Queen Elizabeth, of different sizes, from 5 by 4 to 13 by 8 in. are most admired. They were disposed of by public sale after his death. His Bacchus and Ariadne, after Titian, painted on a plate, brought the great price of 2200 guineas. He had 2 sons, who were also notable enamallists: Henry Pierce Bone & Robert Trewick Bone.
Hugo Briger
1854-1887






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